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Video

'Lift Off' title sequence

This animated clip shows the title sequence from 'Lift Off', an educational children's program. Colourful and fast-paced, with an energetic and catchy music theme, the sequence creates a sense of constant movement as images and figures change and transform. It features characters who appear in the program such as the 'Lift ...

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'Meeting of Major Mitchell and Edward Henty, Portland Bay, 1836'

This is a photo-engraving, approximately 52.5 cm x 69.0 cm in size, depicting two men in front of a farm greeting a party of visitors. It shows Edward Henty shaking the hand of Major Thomas Mitchell, who is on horseback. They are watched by a man standing on the left-hand side and by four members of Mitchell's party on ...

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'Men's huts, Challicum, 1848'

This is a watercolour by Duncan Cooper that depicts the huts provided for male farm labourers at Challicum, a sheep run west of Ballarat in western Victoria. In the foreground is a creek spanned by a narrow and rudimentary bridge weighted with rocks. The watercolour, which measures 13.4 cm x 19.4 cm, is the nineteenth watercolour ...

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'Migrant mother', 1936

This is one of the most famous photographs of the Great Depression in the USA. It shows Florence Owens Thompson aged 32 huddled together with three of her seven children (the baby is obscured). The family as a whole are described in the Library of Congress catalogue as 'migrant' (ie itinerant) pea pickers in California ...

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'Nancy Bird Walton with her plane, Gypsy Moth, 1935'

This is a black-and-white close-up photograph (9.5 cm x 11.8 cm) showing the famous Australian pilot Nancy Bird (1915-) leaning against the open cockpit of her de Havilland biplane.

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'Night refuge at the Immigrants' Home', c1873

This is a black-and-white print that depicts a group of men taking refuge at the Immigrants' Home in Melbourne. The men, most of whom are seated on wooden benches, are shown in a large common room. They are occupied by an activity that may be the picking of oakum. Sacks either hang from or have been placed on high shelves. ...

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'Old Negro (former slave) with horn with which slaves were called', 1939

This is a black-and-white photograph showing an old African American man sitting in a doorway and holding a horn once used to summon slaves to work at sunrise. The photograph was taken near Marshall in Texas, USA, by photographer Russell Lee.

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'Opening of the Free Chapel at Angaston, German Pass', 1844

This is a hand-coloured lithograph print of a drawing by George French Angas (1822-86). It shows a group of men and women, dressed in their Sunday best, picnicking on a slope in front of a small stone chapel in the hills of the Barossa Valley, South Australia, in 1844. The chapel is the only structure in an open woodland ...

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'Overlanders', 1865

This is a coloured print, measuring 19.4 cm x 25.2 cm, painted by the famous colonial artist Samuel Thomas Gill (1818-80) and published in 'The Australian Sketchbook' in 1865. It shows two drovers watering their horses on a hilly trail, with a large herd of cattle moving into the distance. Also depicted are the drovers' ...

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'Panorama of Challicum, No. I', c1850

This is a watercolour measuring 15.8 cm x 24.4 cm showing gently undulating grassland and narrow bands of trees. A group of cows is being herded by a mounted man to a lower area behind a hill, possibly towards a small group of huts that can be glimpsed in the middle ground. The artist, Duncan Cooper, included this painting ...

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'Panorama of Challicum, No. II', c1850

This is a watercolour measuring 16 cm x 24.5 cm showing the Victorian squatting runs Challicum and Yalla-y-poora from a south-south-westerly viewpoint. In the midground is the yellow grassland of the Fiery Creek plains, gum trees dot the countryside and the distant bluish mountain is Mount Weejort. Two emus are shown in ...

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'Panorama of Challicum, No. III', c1850

This is a watercolour measuring 16 cm x 24.5 cm showing the Victorian squatting run Challicum, from a south-westerly viewpoint. A team of four bullocks, pulling a single-axle wagon loaded with fuel and rough bush timber, is centred in front of a large forest. Two unidentified mountains or hills are on the horizon. The artist, ...

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'Panorama of Challicum, No. IV', c1850

This is a watercolour measuring 15.9 cm x 24.3 cm showing yellowed pasture backed by gum trees. A herd of cows with calves is grazing both in the foreground fields and the background timber. A small hill, part of the Challicum Hills, rises from the trees on the right. The artist, Duncan Cooper, included this painting as ...

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'Panorama of Challicum, No. IX', c1850

This is a watercolour measuring 15.7 cm x 24.3 cm showing the vast yellow-and-green Challicum plains. In the distance a flock of sheep, watched by a shepherd and dog, is moving into temporary wooden yards. Among gum trees, to the right of the yard, is the homestead. The artist, Duncan Cooper, included this painting as the ...

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'Panorama of Challicum, No. V', c1850

This is a watercolour measuring 16.6 cm x 25.7 cm showing a mounted man, possibly the squatter Harry Thomson. Two dogs run behind him as he rides along a meandering trail left by wagon wheels. Forests stretch away behind and native gums dot the Challicum Hills which rise out of the forest treetops. The artist, Duncan Cooper, ...

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'Panorama of Challicum, No. VI', c1850

This is a watercolour measuring 17.2 cm x 26.2 cm showing the twin peaks of Mount Langi Ghiran rising behind the smaller tip of Conical Hill. Two distant mountains on the right are Ben Nevis and Mount Buangor. A camp of Indigenous Djapwurrong people, consisting of two bark and wood dwellings, is situated on the edge of ...

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'Panorama of Challicum, No. VII', c1850

This is a watercolour measuring 15.7 cm x 24.4 cm, showing a mounted man herding a small group of cows past scattered native bush and trees, beneath the backdrop of the Mount Cole ranges. The artist, Duncan Cooper, included this painting as the fifteenth watercolour in his field sketchbook and inscribed the title 'Panorama ...

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'Panorama of Challicum, No. VIII', c1850

This is a watercolour measuring 15.8 cm x 24 cm showing the vast, yellowing Challicum plains with grassfires burning smokily in the distance. A flock of sheep is being watched by a shepherd and dog. The artist, Duncan Cooper, included this painting as the sixteenth watercolour in his field sketchbook and inscribed the title ...

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'Port Arthur during occupation, A.D. 1860'

This is a sepia-toned black-and-white photograph measuring 8.8 cm x 13.6 cm, taken from an elevated vantage point behind a cottage in the township of Port Arthur, looking across Manson Cove with its wooden wharves to Settlement Hill. It shows the Port Arthur Penitentiary (the large building in the centre of the image), ...

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'Poultry house, Challicum', 1851

This is a watercolour by Duncan Cooper that depicts the poultry house at Challicum, a sheep run west of Ballarat in western Victoria. Two of the Djapwurrong people (the Indigenous inhabitants of this region) are shown sitting by a smoking fire next to a temporary bark shelter. Various chickens are also shown pecking in ...